Synopses & Reviews
First published in 1966, this celebrated book--Sontag's first collection of essays--quickly became a modern classic, and has had an enormous influence in America and abroad on thinking about the arts and contemporary culture. As well as the title essay and the famous "Notes on Camp,"
Against Interpretation includes original and provocative discussions of Sartre, Simone Weil, Godard, Beckett, science-fiction movies, psychoanalysis, and contemporary religious thinking. This edition features a new afterword by Sontag.
Susan Sontag became a cultural figure upon the publication of her pathbreaking collection of essays Against Interpretation in 1966. She went on to write four novels, including In America, which won the National Book Award for Fiction, as well as a collection of stories, several plays, and seven subsequent works of nonfiction, among them On Photography, Illness as Metaphor, and Regarding the Pain of Others. Her many international honors included the Jerusalem Prize in 2001 and the Friedenspreis (Peace Prize) of the German Book Trade in 2003. She died in New York City on December 28, 2004. First published in 1966, this celebrated bookSontag's first collection of essaysquickly became a modern classic, and has had an enormous influence in America and abroad on thinking about the arts and contemporary culture. As well as the title essay and the famous "Notes on 'Camp,'" Against Interpretation includes original and provocative discussions of Sartre, Simone Weil, Godard, Beckett, science-fiction movies, psychoanalysis, and contemporary religious thinking. This edition features a new afterword by the author.
"Sontag's essays are great interpretations, and even fulfillments, of what is really going on."Carlos Fuentes
"Susan Sontag's essays are great interpretations, and even fulfillments, of what is really going on."Carlos Fuentes
"A dazzling intellectual performance."Vogue
"Susan Sontag is a writer of rare energy and provocative newness."The Nation
"The theoretical portions of her book are delightful to read because she can argue so well. . . . Her ideas are consistently stimulating."Commentary
"She has come to symbolize the writer and thinker in many variations: as analyst, rhapsodist, and roving eye, as public scold and portable conscience."Time
Review
"Susan Sontag's essays are great interpretations, and even fulfillments, of what is really going on." (Carlos Fuentes)
Review
"She has come to symbolize the writer and thinker in many variations: as analyst, rhapsodist and roving eye, as public scold and portable conscience." (Time)
Review
"A dazzling intellectual performance." (Vogue)
Review
"Susan Sontag's essays are great interpretations, and even fulfillments, of what is really going on."--Carlos Fuentes
"A dazzling intellectual performance."--Vogue
"Susan Sontag is a writer of rare energy and provocative newness."--The Nation
"The theoretical portions of her book are delightful to read because she can argue so well. . . . Her ideas are consistently stimulating."--Commentary
"She has come to symbolize the writer and thinker in many variations: as analyst, rhapsodist, and roving eye, as public scold and portable conscience."--Time
Synopsis
First published in 1966, this celebrated book--Sontag's first collection of essays--quickly became a modern classic, and has had an enormous influence in America and abroad on thinking about the arts and contemporary culture. As well as the title essay and the famous "Notes on Camp,"
Against Interpretation includes original and provocative discussions of Sartre, Simone Weil, Godard, Beckett, science-fiction movies, psychoanalysis, and contemporary religious thinking. This edition features a new afterword by Sontag.
Synopsis
Includes the essay "Notes on Camp," the inspiration for the 2019 exhibition Notes on Fashion: Camp at the Costume Institute of the Metropolitan Museum of Art
Against Interpretation was Susan Sontag's first collection of essays and is a modern classic. Originally published in 1966, it has never gone out of print and has influenced generations of readers all over the world. It includes the groundbreaking essays "Notes on Camp" and "Against Interpretation," as well as her impassioned discussions of Sartre, Camus, Simone Weil, Godard, Beckett, Levi-Strauss, science-fiction movies, psychoanalysis, and contemporary religious thought.
This edition has a new afterword, "Thirty Years Later," in which Sontag restates the terms of her battle against philistinism and against ethical shallowness and indifference.
Synopsis
Against Interpretation was Susan Sontag's first collection of essays and is a modern classic. Originally published in 1966, it has never gone out of print and has influenced generations of readers all over the world. It includes the famous essays "Notes on Camp" and "Against Interpretation," as well as her impassioned discussions of Sartre, Camus, Simone Weil, Godard, Beckett, Levi-Strauss, sceince-fiction movies, psychoanalysis, and contemporary religious thought. This edition has a new afterword, "Thirty Years Later," in which Sontag restates the terms of her battle against philistinism and against ethical shallowness and indifference.
About the Author
Susan Sontag wrote four novels, The Benefactor, Death Kit, The Volcano Lover, and In America, which won the 2000 National Book Award for fiction; a collection of stories, I, etcetera; several plays, including Alice in Bed; and eight books of essays, among them On Photography, which won the National Book Critics Circle Award for criticism. Her books have been translated into thirty-two languages. In 2001, she won the Jerusalem Prize for the body of her work. She died in New York City in 2004.
Table of Contents
Against interpretation
On style
The artist as exemplary sufferer
Simone Weil
Camus' Notebooks
Michel Leiris' Manhood
The anthropologist as hero
The literary criticism of Georg Lukacs
Sartre's Saint Genet
Nathalie Sarraute and the novel
Ionesco
Reflections on The Deputy
The death of tragedy,
Going to theater, etc.
Marat / Sade / Artaud
Spiritual style in the films of Robert Bresson
Godard's Vivre Sa Vie
The imagination of disaster
Jack Smith's Flaming Creatures
Resnais' Muriel
A note on novels and films
Piety without content
Psychoanalysis and Norman O. Brown's Life Against Death
Happenings: an art of radical juxtaposition
Notes on "Camp"
One culture and the new sensibility
Afterword: Thirty Years Later